Is Streaming Killing the Music Industry?

By Andy

Is streaming killing the music industry?

It is now really easy to access whatever piece of music you like at no cost, but at what cost to the nusicians themselves.

Quote from noted British guitarist and composer Matt Stevens

“Streaming makes it very difficult for cult bands who sell 1,000 copies of each release, if 1000 people stream an album 10 times, we probably make a few pennies versus 1,000 download sales which create a model that will pay for modest recording expenses. At present, with downloads, it’s roughly sustainable, but not profitable. If we move to streaming and that income disappears completely, we’re in serious trouble.”

Quote from John Young of Lifesigns

"Just received a statement for 10747 streams which paid us a grand total of £1.30 which is 0.00012p per stream.
You would have to sell around 2.6 million streams a week to earn the minimum living wage."

That’s a potentially a couple of very bleak prospects for much of the music outside the mainstream radio playlists.

It’s easy to be pessimistic, though it’s also important to remember the the old pre-internet music industry wasn’t perfect either; the vast majority of bands never got signed and never got to make a record, and most of those that did had to sign away the rights to their own music in order to be able to record and release it.

In many ways it’s a shame that hybrid streaming and download sites like mFlow failed, and that last.fm was forced to shut down their streaming radio stations. Both sites had great value for music discovery, and both drove actual music purchases. But both ended as internet roadkill under the wheels of Spotify.

Streaming in its present for isn’t going to provide a worthwhile income stream for anything other than the most mass-market and commercial end of the market that can benefit from scale. It’s easy to imagine a world divided into a small nunber of heavily hyped stars and everyone else relying on crowdfunding for much of their revenue.

However crowdfunding has it's own pitfalls with the recent issues of Pledgemusic failing to pass on finance to the artists and several higher profile ones vowing not to use the service again.

Quite what the music landscape of a decade’s time might look like is anyone’s guess.

All that can be said is that we live in interesting times.

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